{"title":"Art Nouveau","description":null,"products":[{"product_id":"alphonse-mucha-zodiac-la-plume-1896-vintage-art-nouveau-tee","title":"Alphonse Mucha — Zodiac \/ La Plume (1896) Vintage Art Nouveau Tee","description":"\u003cp\u003eAlphonse Mucha (1860–1939) was a Czech artist who became one of the defining figures of Art Nouveau, celebrated for his decorative panels and posters featuring elegant women framed by flowing lines, floral motifs, and ornate borders. His distinctive style, often called \"le style Mucha,\" made him one of the most sought-after graphic artists of turn-of-the-century Paris.\u003c\/p\u003e\u003cp\u003eThis work, commonly known as \"Zodiac,\" was originally designed as a calendar and later adopted by the literary and artistic magazine La Plume — its masthead appears at the top of this printing, along with a monthly calendar band across the bottom. It stands as one of Mucha's most famous and widely reproduced decorative images.\u003c\/p\u003e\u003cp\u003eThe composition centers on a woman shown in profile, with long flowing hair and an elaborate crown-like headdress set with jewels and star ornaments. Behind her head, a great circular halo is ringed by twelve medallions bearing the signs of the zodiac. Surrounding the figure are richly patterned borders of foliage and swirling ornament, and her garment is scattered with stars, tying the whole design to its celestial theme.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReal art, not AI.\u003c\/strong\u003e An authentic work by a real artist — Alphonse Mucha, reproduced from the original — never machine-generated.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA print that lasts.\u003c\/strong\u003e Water-based pigment inks are pressed into the fabric — no plastic, no cracking, no peeling — so the design stays soft and breathes with the shirt.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGarment-dyed color.\u003c\/strong\u003e Dyed into the finished garment for a soft, vintage-washed tone with subtle depth — richer and more lived-in than a standard printed tee.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePrinted on a premium Comfort Colors 1717 garment-dyed tee — heavyweight ringspun cotton with a soft, broken-in feel and a relaxed unisex fit. 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His decorative advertising posters — with their flowing lines, ornamental framing, and idealized female figures — helped shape the visual language of the Belle Époque and made his name synonymous with the style.\u003c\/p\u003e\u003cp\u003eThis is Mucha's poster for Waverley Cycles, an American bicycle brand marketed in France. Printed in a striking red-and-white palette, it advertises the French distributor and lists the Paris sales addresses along the bottom, including references to \"Harry Reynaud, Directeur Général pour la France\" and the printer F. Champenois in Paris.\u003c\/p\u003e\u003cp\u003eThe composition centers on a young woman with loosely curled hair, resting her chin thoughtfully on one hand as she leans over the handlebars of a bicycle. A spray of leafy branches rises beside her, and the bold \"WAVERLEY CYCLES\" lettering sits within a decorative border along the top. The linear, elegant treatment of hair, foliage, and ornament is characteristic of Mucha's poster work.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReal art, not AI.\u003c\/strong\u003e An authentic work by a real artist — Alphonse Mucha, reproduced from the original — never machine-generated.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA print that lasts.\u003c\/strong\u003e Water-based pigment inks are pressed into the fabric — no plastic, no cracking, no peeling — so the design stays soft and breathes with the shirt.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGarment-dyed color.\u003c\/strong\u003e Dyed into the finished garment for a soft, vintage-washed tone with subtle depth — richer and more lived-in than a standard printed tee.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePrinted on a premium Comfort Colors 1717 garment-dyed tee — heavyweight ringspun cotton with a soft, broken-in feel and a relaxed unisex fit. 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Working in Paris in the 1890s, he developed a signature style built around graceful women, flowing hair, decorative arcs, and richly patterned backgrounds, becoming enormously popular through his advertising posters and decorative panels.\u003c\/p\u003e\u003cp\u003eThis design is his famous poster advertising JOB cigarette papers, produced in the late 1890s. It is a landmark of commercial Art Nouveau, using the elegance of Mucha's idealized female figure to promote a consumer product — a hallmark of the era's poster art (\"la belle époque\").\u003c\/p\u003e\u003cp\u003eThe image shows a woman with long, dramatically swirling dark hair that curls into ornamental arabesques, set within a circular decorative frame. She holds a cigarette and a packet marked \"JOB,\" while the same brand name appears in large stylized lettering across the top. The palette of warm pinks, soft golds, and patterned background is characteristic of Mucha's poster work, and the artist's signature appears at the lower left.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReal art, not AI.\u003c\/strong\u003e An authentic work by a real artist — Alphonse Mucha, reproduced from the original — never machine-generated.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA print that lasts.\u003c\/strong\u003e Water-based pigment inks are pressed into the fabric — no plastic, no cracking, no peeling — so the design stays soft and breathes with the shirt.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGarment-dyed color.\u003c\/strong\u003e Dyed into the finished garment for a soft, vintage-washed tone with subtle depth — richer and more lived-in than a standard printed tee.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePrinted on a premium Comfort Colors 1717 garment-dyed tee — heavyweight ringspun cotton with a soft, broken-in feel and a relaxed unisex fit. 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Famous for his theatrical posters and ornamental panels, he also worked extensively in the applied and decorative arts, including designs for jewelry, interiors, and architectural elements.\u003c\/p\u003e\u003cp\u003eThis piece is identified by the seller as a design for the façade of the Fouquet boutique in Paris — the celebrated jewelry shop of Georges Fouquet, for which Mucha created a lavish, unified decorative scheme. The composition is conceived within a stained-glass-style layout: a central circular medallion set inside a square frame, with the corners filled by rose-pink quarter panels and framed by pale grey banding and bold black leading lines.\u003c\/p\u003e\u003cp\u003eWithin the medallion, a woman is shown reclining with head tilted, her long dark hair streaming into the sweeping, whiplash curves so characteristic of Mucha's line. She wears a beaded circlet across her brow and jewelry near her ear, her upper body bare in the manner of an allegorical figure. The palette of warm creams, browns, blush pink, and soft grey, together with the flowing organic linework, is quintessentially Art Nouveau. A small \"IX\" appears in the lower corner.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReal art, not AI.\u003c\/strong\u003e An authentic work by a real artist — Alphonse Mucha, reproduced from the original — never machine-generated.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA print that lasts.\u003c\/strong\u003e Water-based pigment inks are pressed into the fabric — no plastic, no cracking, no peeling — so the design stays soft and breathes with the shirt.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGarment-dyed color.\u003c\/strong\u003e Dyed into the finished garment for a soft, vintage-washed tone with subtle depth — richer and more lived-in than a standard printed tee.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePrinted on a premium Comfort Colors 1717 garment-dyed tee — heavyweight ringspun cotton with a soft, broken-in feel and a relaxed unisex fit. 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Rising to fame in Paris around the turn of the century, he developed an instantly recognizable style built on flowing lines, decorative panels, and idealized female figures framed by ornament.\u003c\/p\u003e\u003cp\u003eThis 1902 work is signed \"Mucha\" in the lower right and shows the hallmarks of his mature graphic style. Rather than a commercial poster, it reads as a study or plate in the decorative-arts tradition Mucha championed, with the composition organized into a strong central figure surrounded by structured borders.\u003c\/p\u003e\u003cp\u003eThe design centers on a partially draped young woman with dark, braided hair, her lower body enveloped in voluminous blue-green fabric rendered with dense linework. Beside her a large brown bear rears up with its mouth open, adding a dramatic, almost heraldic contrast. Behind the figure are stylized floral forms in coral and purple, and the lower half of the frame is filled with sinuous peacock-feather patterning and an ornamental border band in gold, lilac, and violet.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReal art, not AI.\u003c\/strong\u003e An authentic work by a real artist — Alphonse Mucha, reproduced from the original — never machine-generated.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA print that lasts.\u003c\/strong\u003e Water-based pigment inks are pressed into the fabric — no plastic, no cracking, no peeling — so the design stays soft and breathes with the shirt.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGarment-dyed color.\u003c\/strong\u003e Dyed into the finished garment for a soft, vintage-washed tone with subtle depth — richer and more lived-in than a standard printed tee.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePrinted on a premium Comfort Colors 1717 garment-dyed tee — heavyweight ringspun cotton with a soft, broken-in feel and a relaxed unisex fit. 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His decorative panels and posters — with their idealized women, flowing hair, and lavish botanical framing — helped shape what came to be called \"le style Mucha.\"\u003c\/p\u003e\u003cp\u003eThis design, known as \u003cem\u003eFemme à marguerite\u003c\/em\u003e (\"Woman with Daisy\"), is a decorative panel in Mucha's characteristic idiom. It is signed \"Mucha\" within the composition. The work exemplifies the ornamental, densely patterned approach for which Mucha's decorative panels are celebrated.\u003c\/p\u003e\u003cp\u003eThe image centers on a young woman with abundant golden hair, set against a deep wine-red ground animated by swirling forms. She is enveloped in an intricate tangle of climbing vines, curling tendrils, and pale blossoms — roses, daisies, and trumpet-shaped flowers among lush green foliage — that frame her face and figure in a richly layered floral surround.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReal art, not AI.\u003c\/strong\u003e An authentic work by a real artist — Alphonse Mucha, reproduced from the original — never machine-generated.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA print that lasts.\u003c\/strong\u003e Water-based pigment inks are pressed into the fabric — no plastic, no cracking, no peeling — so the design stays soft and breathes with the shirt.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGarment-dyed color.\u003c\/strong\u003e Dyed into the finished garment for a soft, vintage-washed tone with subtle depth — richer and more lived-in than a standard printed tee.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePrinted on a premium Comfort Colors 1717 garment-dyed tee — heavyweight ringspun cotton with a soft, broken-in feel and a relaxed unisex fit. 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His decorative posters, with their flowing lines, ornamental frames, and idealized female figures, became so influential that the style was briefly known as \u003cem\u003ele style Mucha\u003c\/em\u003e.\u003c\/p\u003e\u003cp\u003eThis poster, \u003cstrong\u003eMonaco · Monte-Carlo\u003c\/strong\u003e, was created for the French railway company Chemins de fer P.L.M. (Paris–Lyon–Méditerranée) to promote train travel to the Riviera. The lower text advertises tickets and family fares by luxury train (\"trains de luxe\"), making it a classic example of Mucha's commercial poster work in the golden age of Belle Époque advertising.\u003c\/p\u003e\u003cp\u003eThe design shows a serene dark-haired woman seated in a flowing white gown, her hands raised toward her face amid a lush explosion of blossoms. A great halo of intertwining flowering branches, spiraling stems, and birds frames her, dissolving in the background into a hazy view of coastal hills and mountains. The bold title banner reads \"MONACO · MONTE-CARLO,\" and Mucha's signature appears at lower left.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReal art, not AI.\u003c\/strong\u003e An authentic work by a real artist — Alphonse Mucha, reproduced from the original — never machine-generated.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA print that lasts.\u003c\/strong\u003e Water-based pigment inks are pressed into the fabric — no plastic, no cracking, no peeling — so the design stays soft and breathes with the shirt.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGarment-dyed color.\u003c\/strong\u003e Dyed into the finished garment for a soft, vintage-washed tone with subtle depth — richer and more lived-in than a standard printed tee.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePrinted on a premium Comfort Colors 1717 garment-dyed tee — heavyweight ringspun cotton with a soft, broken-in feel and a relaxed unisex fit. 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Klimt reinterprets her not as a virtuous savior but as an alluring, half-lidded femme fatale, radiating a dreamy, almost ecstatic expression — a hallmark of his fin-de-siècle Symbolist sensibility.\u003c\/p\u003e\u003cp\u003eIn the image, a dark-haired woman gazes downward with parted lips, her bare torso emerging from a diaphanous, blue-and-gold garment. A jeweled golden collar encircles her throat. At the lower right edge, her hand rests on the shadowed head of Holofernes. 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She is set against a densely decorative golden background alive with stylized flowers, birds — including a peacock and a long-legged bird at right — and lotus blossoms, reflecting Klimt's well-known fascination with East Asian art and ornament.\u003c\/p\u003e\u003cp\u003eThe composition blends portraiture with flat, tapestry-like decoration: warm yellows, deep blues, corals, and greens crowd the surface, dissolving the boundary between figure and background in the manner that made Klimt's work iconic.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReal art, not AI.\u003c\/strong\u003e An authentic work by a real artist — Gustav Klimt, reproduced from the original — never machine-generated.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA print that lasts.\u003c\/strong\u003e Water-based pigment inks are pressed into the fabric — no plastic, no cracking, no peeling — so the design stays soft and breathes with the shirt.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGarment-dyed color.\u003c\/strong\u003e Dyed into the finished garment for a soft, vintage-washed tone with subtle depth — richer and more lived-in than a standard printed tee.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePrinted on a premium Comfort Colors 1717 garment-dyed tee — heavyweight ringspun cotton with a soft, broken-in feel and a relaxed unisex fit. 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The image is characteristic of his style during this period, when his decorative work for print reached its height.\u003c\/p\u003e\u003cp\u003eThe design shows an elaborately crowned woman adorned with jeweled necklaces and a beaded headdress, seated and resting her hands on a pair of lion-head ornaments. Behind her a second draped figure leans in, hand raised to her face. 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He is best remembered for his playful, satirical imagery and his frequent use of the Pierrot figure, contributing prolifically to the illustrated press and poster culture of late 19th-century Paris.\u003c\/p\u003e\u003cp\u003eThis lithographic poster advertises \u003cem\u003eL'Événement parisien\u003c\/em\u003e, promoting the periodical with the headline \"À cause de l'été\" (\"Because of summer\") and the announcement that it appears twice a week (\"Paraît 2 fois par semaine\"). The design belongs to the golden age of the illustrated French advertising poster, printed in Paris — the sheet carries the imprint \"Paris. Imp. H. Delatre\" and coloring credited to Charpentier — and is signed \"Willette\" at the lower right.\u003c\/p\u003e\u003cp\u003eThe composition centers on a winged female figure, partly nude and seated, holding a red accordion-folded object against a summery background of golden wheat, red poppies and a bright blue sky lettered with the bold title. Below her, two cherubic putti recline near the base, with scattered flowers and a red vessel, blending allegorical whimsy with commercial appeal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReal art, not AI.\u003c\/strong\u003e An authentic work by a real artist — Adolphe Willette, reproduced from the original — never machine-generated.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA print that lasts.\u003c\/strong\u003e Water-based pigment inks are pressed into the fabric — no plastic, no cracking, no peeling — so the design stays soft and breathes with the shirt.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGarment-dyed color.\u003c\/strong\u003e Dyed into the finished garment for a soft, vintage-washed tone with subtle depth — richer and more lived-in than a standard printed tee.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePrinted on a premium Comfort Colors 1717 garment-dyed tee — heavyweight ringspun cotton with a soft, broken-in feel and a relaxed unisex fit. 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Celebrated for his decorative panels and theatrical posters, he developed an instantly recognizable style built on flowing hair, elegant female figures, soft color harmonies, and elaborate ornamental frameworks.\u003c\/p\u003e\u003cp\u003eThis design is 'Music,' one panel from Mucha's decorative series 'Les Arts' ('The Arts'), which personified the arts as graceful women. Like his companion allegories, it exemplifies the Art Nouveau aesthetic Mucha helped popularize during the Belle Époque, pairing a central figure with a stylized circular halo and botanical ornament.\u003c\/p\u003e\u003cp\u003eThe composition shows a young woman with long, cascading auburn hair, her head tilted as she raises a hand toward her ear as if listening. She wears a flowing pale gown with a jeweled bodice and headband. Behind her, a large decorative disc framed with patterned roundels encloses foliage, while sprays of delicate bell-shaped flowers fill the upper corners. Mucha's signature appears at the lower right.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReal art, not AI.\u003c\/strong\u003e An authentic work by a real artist — Alphonse Mucha, reproduced from the original — never machine-generated.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA print that lasts.\u003c\/strong\u003e Water-based pigment inks are pressed into the fabric — no plastic, no cracking, no peeling — so the design stays soft and breathes with the shirt.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGarment-dyed color.\u003c\/strong\u003e Dyed into the finished garment for a soft, vintage-washed tone with subtle depth — richer and more lived-in than a standard printed tee.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePrinted on a premium Comfort Colors 1717 garment-dyed tee — heavyweight ringspun cotton with a soft, broken-in feel and a relaxed unisex fit. 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His instantly recognizable style — sinuous line, ornamental framing, and idealized women set against richly patterned backgrounds — helped shape the visual language of the Belle Époque.\u003c\/p\u003e\u003cp\u003eThis design, titled \u003cem\u003eSalomé\u003c\/em\u003e and dated 1897, is characteristic of Mucha's decorative work of the period. It presents a single female figure rendered in his signature manner, framed by delicate ornament and a softly stippled, circle-patterned ground in muted greens, golds, and rose tones.\u003c\/p\u003e\u003cp\u003eThe woman is shown in profile with dark, flowing hair, wearing large hoop earrings, a beaded headwrap, and a flowing draped gown cinched with an elaborate jeweled belt. She raises a large ornate ring or hoop-like instrument above her, from which a decorative tasseled ornament dangles. Mucha's initials appear at the lower left. The whole composition is unified by the artist's characteristic curvilinear line and decorative patterning.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReal art, not AI.\u003c\/strong\u003e An authentic work by a real artist — Alphonse Mucha, reproduced from the original — never machine-generated.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA print that lasts.\u003c\/strong\u003e Water-based pigment inks are pressed into the fabric — no plastic, no cracking, no peeling — so the design stays soft and breathes with the shirt.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGarment-dyed color.\u003c\/strong\u003e Dyed into the finished garment for a soft, vintage-washed tone with subtle depth — richer and more lived-in than a standard printed tee.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePrinted on a premium Comfort Colors 1717 garment-dyed tee — heavyweight ringspun cotton with a soft, broken-in feel and a relaxed unisex fit. 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He rose to fame in Paris through his theatrical posters for the celebrated actress Sarah Bernhardt, characterized by elongated figures, flowing lines, and richly ornamented backgrounds.\u003c\/p\u003e\u003cp\u003eThis lithographic poster was created for \u003cem\u003eLa Samaritaine\u003c\/em\u003e, a play by Edmond Rostand with music by Gabriel Pierné, staged at the Théâtre de la Renaissance. Produced for Sarah Bernhardt, whose name appears in the arched mosaic-style band above the figure, it is a classic example of Mucha's advertising work and the elegant graphic language of the Belle Époque.\u003c\/p\u003e\u003cp\u003eThe design shows a standing woman in flowing robes, her long hair cascading beside her, set within a decorative arch. A radiant halo-like disc frames her head, and a smaller draped figure appears below. The theatre name arcs across the top, and the play's title and credits fill the lower panel. The signature 'Mucha' is visible at lower right, printed by F. Champenois, Paris.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReal art, not AI.\u003c\/strong\u003e An authentic work by a real artist — Alphonse Mucha, reproduced from the original — never machine-generated.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA print that lasts.\u003c\/strong\u003e Water-based pigment inks are pressed into the fabric — no plastic, no cracking, no peeling — so the design stays soft and breathes with the shirt.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGarment-dyed color.\u003c\/strong\u003e Dyed into the finished garment for a soft, vintage-washed tone with subtle depth — richer and more lived-in than a standard printed tee.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePrinted on a premium Comfort Colors 1717 garment-dyed tee — heavyweight ringspun cotton with a soft, broken-in feel and a relaxed unisex fit. 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He rose to fame in Paris through a celebrated series of theatrical posters made for the actress Sarah Bernhardt, whose collaboration transformed both their careers and helped popularize the sinuous, decorative style that came to be associated with the era.\u003c\/p\u003e\u003cp\u003e\u003cem\u003eLa Dame aux Camélias\u003c\/em\u003e (1896) is one of these iconic poster designs, created to advertise Bernhardt's performance in the play based on Alexandre Dumas fils' story. It exemplifies Mucha's signature approach: an elegant elongated composition, ornamental lettering, and a graceful central female figure framed by flowing lines and delicate patterning.\u003c\/p\u003e\u003cp\u003eThe design shows a red-haired woman in a long pale gown and fur-trimmed cloak, standing in profile against a mauve and lilac background scattered with stars. A white camellia adorns her hair, and at her feet a tall stem of white camellia blooms rises within the decorative border. The stylized title lettering—'La Dame aux Camélias' and 'Sarah Bernhardt'—crowns the composition, with the printer's line 'Imp. F. 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