{"title":"Angels \u0026 Cherubs","description":null,"products":[{"product_id":"adolphe-willette-a-cause-de-lete-levenement-parisien-1881-vintage-french-poster-tee","title":"Adolphe Willette — A cause de l'été, l'Événement parisien (1881) Vintage French Poster Tee","description":"\u003cp\u003eAdolphe Willette (1857–1926) was a French painter, illustrator and poster designer closely associated with the artistic and cabaret life of Montmartre. He is best remembered for his playful, satirical imagery and his frequent use of the Pierrot figure, contributing prolifically to the illustrated press and poster culture of late 19th-century Paris.\u003c\/p\u003e\u003cp\u003eThis lithographic poster advertises \u003cem\u003eL'Événement parisien\u003c\/em\u003e, promoting the periodical with the headline \"À cause de l'été\" (\"Because of summer\") and the announcement that it appears twice a week (\"Paraît 2 fois par semaine\"). The design belongs to the golden age of the illustrated French advertising poster, printed in Paris — the sheet carries the imprint \"Paris. Imp. H. Delatre\" and coloring credited to Charpentier — and is signed \"Willette\" at the lower right.\u003c\/p\u003e\u003cp\u003eThe composition centers on a winged female figure, partly nude and seated, holding a red accordion-folded object against a summery background of golden wheat, red poppies and a bright blue sky lettered with the bold title. 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This work, titled \u003cem\u003eÀ Bonaparte\u003c\/em\u003e, is an allegorical tribute to Napoleon Bonaparte.\u003c\/p\u003e\u003cp\u003eThe painting shows a Napoleonic-era officer mounted on a rearing white horse, sword in hand, embraced by a winged, partly nude female figure whose great golden wings spread across the top of the composition. Behind them a blue banner rises, and a column of soldiers advances into the hazy background. The horse tramples over fallen enemy flags heaped in the foreground — among them a British Union Jack and a green banner bearing a star and crescent — a clear symbol of triumph over defeated foes. At the left, smaller figures accompany the procession.\u003c\/p\u003e\u003cp\u003eThe combination of a real historical subject with a floating allegorical winged spirit of Victory or Glory places the work in the Symbolist current of the turn of the century. The artist's signature, 'A. 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The source of the upper cherub, shown diving head-first with outstretched wings and a red drape, is not recorded.\u003c\/p\u003e\u003cp\u003eBoth figures are rendered as plump, winged putti in the warm, fleshy coloring typical of 17th-century engraving, here reproduced with a visible halftone dot texture. The composition sets the two cherubs above and below the central lettering for a bold, contrasting mix of old-master imagery and contemporary graphic design.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReal art, not AI.\u003c\/strong\u003e A modern take on a real original, reimagined, with our own lettering and graphic marks added. 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